Final Draft

The never ending appeal of war films with a critical comparison between The Longest Day and Saving Private Ryan.

Over the years there have been many attempts to capture the events of D-
Day on the 6 th of June 1944 such as D-Day the sixth of June (Koster,
1956), Overlord (Abrams, 2018) and many others but no films do it like
Saving Private Ryan (Spielberg, 1998) and The Longest Day (Annakin,
1962). This essay with show the appeal of the war film genre and critically
compare these master pieces of cinema.

"Its a war that never ends cinematically speaking"(Pulver, 2020) which
perfectly describes the thought of war in cinema meaning the genre could be
loved or hated from a certain point of view. The appeal of war films is
something that could be instant or nurtured over time .The style of war
 shown that would be prefer by at the general movie going audience is a
big part of the appeal and weather you prefer the "varnished version of
the truth" (The National, 2020) from the 1950s to 60s or the physiological
thrillers of the late 1970s to present day. It is said that "Humans by nature
are inquisitive and seek knowledge to assist in the understanding of
life , its complexities , virtues and horrors"(Russell, 2020) so naturally
we should be drawn to war films in our pursuit in knowledge
and excitement which is what the war films of an older generation where
like showing brave and daring soldiers "fighting a just, righteous battle
against the forces of evil"(The National, 2020) whilst educating you on
events and people of the second world war. But then we venture into the
late 1970s into 80s and carrying onto present day where war films shifted
from showing glorified victory into loss and despair where films
start showing the repercussions and the harsh truth the allies lost a great
amount of battle and suffered heavy losses showing a darker and more
depressing representation which matured with its audiences and
thrilled audiences with its new darker tone.

The evolution is shown well between The longest day (Annakin,1962)
representing the light hearted patriotism from the 60s to 70s and Saving
Private Ryan (Speilberg,1998) which depicts the horror of war and its
serious tone and nature related with war films of the 1980s to present day.
Both these films depict the Normandy beach landings on June 6th 1944 but
from very different perspectives shown by a directors unique vision. The contrast is as a heroic affair whilst the
other shows hell on earth and a dark horrific massacre. This shows the
evolution in the genre and how audiences have also changed wanting a
more realistic, gritty account of war, similar to the effects of New Hollywood movement
in the 60s where audiences were tired of seeing a hyper realistic view of the
world currently favoring the dark gritty realistic adaptations of war
currently in cinema which depict the serious repercussions of war and the
effects on the brave men who have fought through out time in these
conflicts. The evolution is staggering due to how war has been changed
through cinema in a short amount of time. Some could say this is because
audience’s have become decensorcised to violence. The intentions of this
movement was to “re-work and re-imagine some of holly woods classic
genres – such as the crime, the war film, and the western- and by
doing so, presented a more critical view of America” (Hitchman, 2013)
and by doing so brought in a “level of realism and intensity”(Hitchman,
2013). One of the most popular films that started this movements was The
Wild Bunch (Peckinpah, 1969) with its violence and dark themes related
and hit audiences with surprising dark realism and violence labelled to be a
slow motion blood bath” (Mathews, 1994) and when the movement
became popular it bleached into other genres and directors style which set
trends and created classics.

The longest day depicts the Normandy landings as a brave operation with a
cast of iconic actors such as John Wayne Henry Fonda and Sean Connery
this version of the event described as the "definitive classic" (Jones,
2020) which depicts heroism on behalf of the allies where in (Figure 1) a
scene of an American ranger that is climbing up the cliffs at (footer 1) pointe
du hock where he notices that one of the ropes next to him is falling and if it
falls the other man climbing up will be killed so he is holding himself up and
carrying another man up himself  showing the brute determination bravery
and heroism of soldiers in war in the 60s. As well as if I was to look at the
Omaha beach landings where the setting is a lot more calming and relaxed
than the modern-day counterpart of Saving Private Ryan because after
leaving the landing craft the troops are not being shot at and some extras in
the back are borderline smiling. Also, before they even reach the beach the
soldiers are calm and relaxed where as in Saving Private Ryan the soldiers
are petrified throwing up and praying to god for their safe return to their
families and country (Figure 2 and 3).

Saving Private Ryan

Saving Private Ryan is a critically acclaimed award winning masterpiece
(figure 4) directed by Steven Spielberg known for its “gritty realistic
recreation” (Jones, 2020). The films is mainly a fiction film but with
important aspects of truth such as the epic opening and the overall plot of
sending a man home due to loss of three brothers all killed in combat
throughout the war. The darker elements of this film can be seen in a scene
in the beginning of the film where in the beach landings after they push up
the beach which is brilliant for two reasons first the scene shows two German
surrendering when two American solders gun then down when they are
unarmed and scared. The reason this scene is praised is because it shows
the fact the Americans committed atrocities the same as the Germans and
 secondly the scene shows its realism with what the German says as the audience you dont know because you think there speaking German so
you assume but the real translation was "please dont shoot me I am
not German I am Czech I didnt kill anyone I am Czech" (Robert
rodat 1998)this shows that he is scared and docent want to fight in a war
that has nothing to do with him this scene shows true realism in war and
the horrors that go with it. Saving private ryan is mainly known for its dark
and violent themes but it is known much for its “traditional” themes of
“loyalty, courage ,self-sacrifice”(denby, 2020). A good example of this is
during a scene when the team comes across an American held town where
a member of the squad (vin diesel) tries to reunite a child with his family
and is caught out in the open and killed. This scene shows the
determination of the Americans by trying to undo the damage and
destruction by the Germans. Saving Private Ryan broke the mold and set
extremely high standards for films to follow making this film a must watch
for war enthusiasts and film lovers.

Saving private ryan and the longest day both try to represent the events of
D-Day both show this event from the same perspectives as the Americans
but in very different ways. Such as the longest day is a more relaxed take
of the events compared to saving private ryan which is an edge of the seat
bloodbath thriller. Despite the fact they are retelling the same event it is
shown to be different in ways the longest day shows more large scale
conflict showing the other allied landings by the British and French
involvement in this campaign who were described as “gallant” (denby,
2020) where on the other hand Saving Private Ryan is showing only the
Americans breakout into Europe and mainly on a seemingly unrelated side
plot. Another difference is shown with the pre landing attitudes of the
soldiers, in The Longest Day the soldier aboard the landing craft are calm
relaxed and seemingly prepared for what is to come as seen in (figure 5)
but as seen in (figure 2 and 3) the soldiers are petrified, being sick, praying
to god with shacking hands showing they are nervous and fear for their
safety.

Another difference between these films is after the departure of the landing
craft the amount of resistance they meet form the German forces is very
different such as in the longest day they have very little resistance because
even though you see scenes of the Germans preparing their defences and
getting in position ready for the allies landing but when it cuts to the allies it
is as if they are not there because when the allies rush up the beach there is
very little gun fire and when they pan out to show the whole beach there
are very little casualties as well as the extras in the back of some shots are
border line smiling and enjoying themselves which releases the tension of
the moment slightly and does not make it as realistic as it should be.

Compared to Saving Private Ryan known as the most violent and realistic
scene put to cinema in a second world war drama. In the beach invasion
shown by Saving Private Ryan the contrast is massive the second the allies
debark they are met by hailstorms of machine gun and mortar fire
slaughtering the allies. The scene in question is very graphic showing
horrific scenes of men with their guts hanging out lost limbs and the
attitudes of the soldiers is different compared to a smirk and happy attitude
the man a screaming in agony and despair calling out for their mothers to
save them. This scene is one of the most accurate and horrific scene put to
cinema and will be hard to top for the coming years.

In conclusion the appeal of war films is there if willing to accept it and as
proven can show some of the most grueling and dark scenes put to
cinema. It was even said that a “true war story is never moral it does not
instruct, nor encourage virtue” (O’Brian 1990). The goal of this essay
was to compare to accounts made my different people of the same event in
different time periods to show the evolution of the genre and quality
of the genre. The films in question where The Longest Day and Saving
Private Ryan made 40 years apart showing and by two completely different
visionary's this shows the evolution of light hearted relaxed patriotism of the 1960s to
70s and the dark threatening tone of the war genre from the 1980s to
present day whilst showing the physiological effects on a soldier and how
the audience will have matured over the years know accepting this darker
ideology of what war is and now seeing that the audience can accept this
meaning that they can now accept and evolve with a genre with the genre
showing its never ending appeal also showcasing the upgrade in quality
over a small amount of time it is amazing to think what the genre will
look like in another 60 years from now and where the genre could go and
expand to and weather it will keep with the dark and depressing tone of
today revert to the traditional patriotic version from the 1960s or weather
audiences will turn on the genre like the westerns of old and who knows
what the war film will look like in the future and weather there will be any
more content to create by that time or weather humanity has another mass
loss of life through conflict and weather that is warranted to be documented
through film.


Overall Footer

 1 Pointe Du Hock - "La Pointe du Hoc is a promontory with a 100-foot cliff overlooking the English Channel on the northwestern coast of Normandy in the Calvados department, France. During World War II it was the highest point between the American sector landings at Utah Beach to the west and Omaha Beach to the east."



Figure 1

Figure 2
Figure 3
Figure 4

Figure 5

Bibliography

denby, D. (2020). D-day on film. The New Yorker. [online] Available at:
https://www.newyorker.com/culture/culture-desk/d-day-on-film [Accessed 14 Feb. 2020].

Hitchman, S. (2013). New Hollywood: American New Wave Cinema (1967-69). [online]
Newwavefilm.com. Available at: http://www.newwavefilm.com/international/new-hollywood.shtml

[Accessed 28 Feb. 2020].

Jones, N. (2020). D-Day on screen: 5 TV and film depictions of the Second World War operation.
[online] HistoryExtra. Available at: https://www.historyextra.com/period/second-world-war/d-day-film-
normandy-accurate-screen-movies-best-films-saving-private-ryan-invasion/ [Accessed 24 Feb. 2020].

O'Brien, T. (1990). The things they carried. 1st ed. United States: Houghton Mifflin Harcourt.

Mathews, T. (1994). Censored. United kingdom: Chatto, p.187.

Pulver, A. (2020). Why are we so obsessed with films about the second world war?. [online] the
Guardian. Available at: https://www.theguardian.com/film/2014/jul/17/why-so-obsessed-second-world-
war-films [Accessed 5 Feb. 2020].

The National. (2020). Analysing the cultural impact of the war movie genre. [online] Available at:
https://www.thenational.ae/arts-culture/analysing-the-cultural-impact-of-the-war-movie-genre-

1.614673#5 [Accessed 6 Mar. 2020].

Russell, S. (2020). War without end: The enduring appeal of military movies. [online] SBS Movies.
Available at: https://www.sbs.com.au/movies/article/2017/04/05/war-without-end-enduring-appeal-
military-movies [Accessed 24 Feb. 2020].

Robert Rodat, Saving Private Ryan Published manuscript 1998 (scene… line… act..)

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